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MAKE ART, NOT WAR

Hanging Lucian Freud: How did the retrospective of one of the world’s greatest living artists come to MOCA? Very carefully, says BRENDAN BERNHARD. Plus, fetching the paintings: the trick of transporting art.

Prodigal son: "Scribble & Scripture" is both a homecoming for underground impresario Aaron Rose and a celebration of the untethered art of Barry McGee, Phil Frost and Thomas Campbell. BY ARTY NELSON

Out of L.A. and into the fire: Sandow Birk remakes Dante’s Inferno in his hometown’s image. BY ROBERT LLOYD


News

WE ENDORSE...
The sleepy L.A. City Council is about to be jolted awake. Next Tuesday, voters will have a choice of electing mayor-wannabes Bernie Parks and Antonio Villaraigosa, and some street-fighters like Tony Cardenas. Even if the last place you’ll end up next week is a polling place, check out the Weekly’s endorsements, including our choices for school board. Consider it a guide to the city’s upcoming political theater. Featuring web-only content.


WEB EXCLUSIVE:
Read our in-depth interviews with candidates Martin Ludlow, Antonio Villaraigosa, Nick Pacheco, Sherri Franklin and Bernard Parks.

IRAQ: TELLING THE LEFT FROM THE RIGHT
FRANK SMYTH looks at the upcoming war from the perspective of those we rarely hear from: the Iraqi left. It’s not what you’d expect.

MOVE OVER GRAY
You read it here first: The recall threat against Gray Davis is real, on one condition: The campaign gets organized. BY BILL BRADLEY

CRIMES OF HATE
West Hollywood assault victim Trev Broudy talks to SARA CATANIA about his slow recovery from an attack that seemed so obviously to be a hate crime — except to D.A. Steve Cooley.

Plus, ETGAR KERET on war-proofing a friend’s Tel Aviv apartment; SARA CATANIA on a key vote against California’s new death row; and JUDITH LEWIS’ reading list.

POWERLINES
HAROLD MEYERSON takes to task a straggler or two on the L.A. City Council who didn’t see the light on last week’s anti-war resolution.




LETTERS

We write, you write...

A CONSIDERABLE TOWN
Armies of the right: Playing Cassandra, Norman Mailer spins out pessimistic wartime scenarios at an Institute for the Humanities gathering. BY MARC COOPER
Bonus tracks: Under-the-street musician Gary Bruner plays for passengers on the Red Line. BY CHARLES RAPPLEYE
Critic as cultural icon: An overflow crowd turns out to hear Dave Hickey on cosmology and art. BY TULSA KINNEY

OPEN CITY
Leopard colony: The plus-size star and a host of Anna-wannabes celebrate Anna Nicole Smith Day. BY STEVEN MIKULAN

ON
Shock and awe: Modern warfare isn’t only about killing — it’s about inspiring mass terror. BY JOHN POWERS

POWERLINES
HAROLD MEYERSON takes to task a straggler or two on the L.A. City Council who didn’t see the light on last week’s anti-war resolution.

QUARK SOUP
Very, very small is beautiful — and controversial: MARGARET WERTHEIM on UCLA’s nanotechnology conference.

RESTAURANTS
Finding Bliss. BY MICHELLE HUNEVEN

Where to Eat Now
A list of favorite restaurants compiled by JONATHAN GOLD and MICHELLE HUNEVEN.

Ask Mr. Gold
Music to your mouth: Where to find the ABBA of Moroccan sausage. BY JONATHAN GOLD

ROCKIE HOROSCOPE


FILM
Raw, aching ids: ELLA TAYLOR reviews David Cronenberg’s Spider and the new Dogme film, Susanne Bier’s Open Hearts.

THEATER
No sex, please — we’re pacifist: The Lysistrata Project has spawned readings of Aristophanes’ anti-war comedy on March 3 in 433 countries; dispatches from around the globe by STEVEN LEIGH MORRIS, JUDITH LEWIS and STEVEN MIKULAN.

BOOKS
Pumla Gobodo-Madikizela on the evils of apartheid . . . and finding forgiveness. BY LOUISE STEINMAN

MUSIC
Scott Amendola’s neojazz: Plugged in and stretched out. BY GREG BURK

The 88: Tackling the rock of their fathers. BY JAY BABCOCK

LIVE IN L.A.
Performance reviews: The Upper Crust; DJ Krush, Mista Sinista; Interpol, The Warlocks, Moving Units; David Lindley & Wally Ingram, Kaki King; Kittie, 18 Visions, Sworn Enemy, Drug of Choice; Ben Kweller; Cat Power; Johnny Paycheck, R.I.P.

A LOT OF NIGHT MUSIC
Irresistible recordings of Ligeti. BY ALAN RICH

STYLE
About face: RON ATHEY taps into his inner priss and commits to a full-fledged skin-care routine.

PULPit
American splendor: HARVEY PEKAR’s luck changes at Sundance. Text by Pekar, illustrated by GARY DUMM.

COMICS
"BEK," BY BRUCE ERIC KAPLAN

SNAP
A photo by TED SOQUI





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Read predictions from our 1979 issue on what LA would be like in 2002.

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SEPT. 27 - OCT. 3, 2002

There's No Place Like No Place

IMAGINE THE RAMONES CAME FROM ANYWHERE ELSE BUT New York. Or if the Beats had roamed the hills of Appalachia. Could Bauhaus have originated in New Mexico? Seems that place really matters. Group-driven movements are usually born of an economic industry, regional identity and mutual geographic quirk — but not always. As the anti-place/anyplace new-media salon Rhizome.LA proves 24 hours a day at its address online, a movement can be just sort of based in a single town. But if you need to check out some robotically composed avant-garde music, you might find Rhizome resident in Pittsburgh, too.

Rhizome is neither fickle about its mission — to serve as a non- hierarchical salon for emerging new-media artists — nor afraid to present spiraling mathematical code as art. Genetics as art, artificial intelligence, immersive/interactive installations, and viruses of a playful sort compose the Rhizome oeuvre; more than 5 million curious hits visit its Web site each month to explore its digi-fluxus construct. Here, formality is nil — you can be in the middle of a happening at home in your underpants, eating cookies in bed.

In 1965, artist/theorist André Malraux foresaw a "museum without walls," oozing through the framework of society. At the time there was an increasing availability, via mass manufacturing, of multiple artistic styles. The folks at Rhizome not only carry Malraux’s torch; they revolutionize the work inside the museum as well. And while most explanations of this new art remain surface descriptions, unclear in their conclusions of what it all means — kind of like a history textbook that ends with the airlift out of Vietnam — Rhizome.LA brings this discussion into real locales, leaving the theoretical museum sans walls online.

An offshoot of Rhizome.org, originally conceived in New York eight years ago, Rhizome.LA (founded in 2001) serves a more participatory role, sponsoring real-life exhibitions and panels that mingle designers, engineers, curators, students, DJs and scientists in an arena that develops a hybrid vernacular all parties can understand. Curator Beverly Tang says upcoming events will vary between topic-specific events with themes like "Space Manipulation by Technology" and "Reactive Sculpture," and open-submission exhibitions for local artists — a sort of show-and-tell for that undiscovered master of kinetic genius among us.

—Wendy Gilmartin

For more information, visit http://www.rhizome.org/la.

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